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(IT-NEWSWIRE.COM, April 18, 2019 ) Digital broadcast and cinematography cameras refer to the professional cameras that have special lenses of different focal lengths and high-density sensors to capture high-quality motion pictures. These cameras are operated by trained professionals such as broadcasters and cinematographers.
The top 3 (revenue) manufacturers are Sony, ARRI, Panasonic Corp, making up 39.45% market share of the whole market in 2016, each with the market share of 14.94%, 13.64%, and 10.88%. The concentration of this industry is high, and the top 5 manufacturers makes up 57% of the whole market.
The manufacturers are better find their own characteristics, improve product and service quality, as well as the services, focus on their R&D, pay attention to all of the supply chain and eco-system and good brand communication. Following the market trends, access to greater competitive advantage, concerning more on their customer experience and services to get a bigger market share.
According to this study, over the next five years the Digital Broadcast and Cinematography Cameras market will register a 1.6% CAGR in terms of revenue, the global market size will reach US$ 2490 million by 2024, from US$ 2260 million in 2019. In particular, this report presents the global market share (sales and revenue) of key companies in Digital Broadcast and Cinematography Cameras business, shared in Chapter 3.
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The report also presents the market competition landscape and a corresponding detailed analysis of the major vendor/manufacturers in the market. The key manufacturers covered in this report: Breakdown data in in Chapter 3.
ARRI
Sony Corp
Panasonic Corp
Grass Valley USA LLC
Hitachi Ltd
Blackmagic Design Pty. Ltd
Canon Inc
JVCKENWOOD
Red.com Inc
Silicon Imaging Inc
Aaton Digital SA
This study considers the Digital Broadcast and Cinematography Cameras value and volume generated from the sales of the following segments:
Segmentation by product type: breakdown data from 2014 to 2019, in Section 2.3; and forecast to 2024 in section 11.7.
2K
4K
8K
Others
Segmentation by application: breakdown data from 2014 to 2019, in Section 2.4; and forecast to 2024 in section 11.8.
Cinematography
Live Production
News & Broadcast Production
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Research objectives
To study and analyze the global Digital Broadcast and Cinematography Cameras consumption (value & volume) by key regions/countries, product type and application, history data from 2014 to 2018, and forecast to 2024.
To understand the structure of Digital Broadcast and Cinematography Cameras market by identifying its various subsegments.
Focuses on the key global Digital Broadcast and Cinematography Cameras manufacturers, to define, describe and analyze the sales volume, value, market share, market competition landscape, SWOT analysis and development plans in next few years.
To analyze the Digital Broadcast and Cinematography Cameras with respect to individual growth trends, future prospects, and their contribution to the total market.
To share detailed information about the key factors influencing the growth of the market (growth potential, opportunities, drivers, industry-specific challenges and risks).
To project the consumption of Digital Broadcast and Cinematography Cameras submarkets, with respect to key regions (along with their respective key countries).
To analyze competitive developments such as expansions, agreements, new product launches, and acquisitions in the market.
To strategically profile the key players and comprehensively analyze their growth strategies.
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Hector Costello
+1 (214) 884-6817
sales@orbisresearch.com
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